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Creative Music for the Arts:
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July, 2000: "Mad About Harry"; scored music and produced recording for a NY independent film by AMFILMS. Awarded as a Hollywood Film Festival, 2000 finalist.
August, 2001: "Midnight Playground"; composed and recorded a score for four new dances choreographed by Ellen Bartel at the Doughtery Arts Center, Austin, TX. 
January, 2001: "The Magical, Tragical, King Lear Puppet Show"; music composition/chamber performance featuring live piano, clarinet, bass clarinet, violin and cello for a live puppet show. An Austin Frontera Fest 2001 Long-Fringe Festival participant.
January, 2002: "MASS MAXIMUM"; created a digital recording from samples for Ellen Bartel's "Brenda meets Barbara" to help evoke some of the alienating effects of technology on human society, a FronterFest 2002 long fringe participant.
September, 2001: "Repossession"; scored music and produced recording featuring strings, winds, horns and percussion for an Austin feature-length, independent film by Prometheus Films, Austin, TX.
March, 2001: "John Brown's Body"; composed music used in Courtney Baron's Keen Americana, the first in a series of plays commissioned from The Keen Company at the Jose Quintero Theater, New York, NY.
April, 2000: "Will You Walk In The Park With Me?"; music composition/chamber performance featuring live piano, violin, cello, flute, clarinet and percussion for a thirty member, outdoor dance piece by choreographer, Ellen Bartel and Company, Austin, TX.
May, 2000: "Sleeveless in Seattle"; composed music set to time-lapse video by Gary Hoover used in a documentary about the Seattle WTO Convention by Steve Price, Los Angeles, CA.
June, 1999: "The Good Night"; music composition/recording of digital chamber music for NY play-write, Courtney Baron. Produced by the Columbia University School of the Arts, NY.
1997: "Red", collaborative performance trio and recording for Twenty-Two Records, Austin, TX. Noticed for exceptional quality by Sony Records, Universal Records and Mercury Records during SXSW'97. 
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