ELEVATOR MUSIC BOX > sound design

This is perhaps the most impoartant part of the project. By the fall of 2003 check back here for extensive essay on considerations for sound design and the synchonization of musical parts. Be it the kind of orchestral swells that are part of the prototype or wispering voices that add in number and volume, there are many ways to provide a creative and fufilling experinece for the elvator, beyond silence and especially beyond the light jazz cool hits of yesteryear otherwise known as background noise.

+ up-music for prototype 1 [floor 1 to 9 in 26 seconds with no stops]

+ down-music for prototype 2 [floor 9 to 1 in 26 seconds with no stops]

+ musical part disection